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L.A. Nash – L.A. Nash
$14.49 – $17.49
Preview
1 | Westside Fool | 00:45 | |
2 | Next Block | 04:13 | |
3 | Car Bust A U | 04:56 | |
4 | Scene 1 | 00:23 | |
5 | Baby, Baby | 03:38 | |
6 | Scene 2 | 00:41 | |
7 | Knock On Wood | 06:17 | |
8 | Scene 3 | 00:59 | |
9 | 9 Play | 05:54 | |
10 | Teena Baby | 00:16 | |
11 | Ain’t A Damn Thing Changed | 04:50 | |
Featuring – Teena Marie | |||
12 | Strapped | 00:38 | |
13 | Let Loose | 05:48 | |
14 | Intro | 00:32 | |
15 | 64 Chevy | 04:32 | |
16 | The Scene | 00:31 | |
17 | Can’t Finda Reason | 04:03 | |
18 | For The Homies | 00:13 | |
19 | Mindstate | 04:08 | |
20 | Dead End | 00:04 | |
21 | Where The Road Ends | 04:17 | |
22 | The Waves | 04:13 |
Description
“L.A. Nash” is the self-titled debut album by Los Angeles-based rapper L.A. Nash, released on July 18, 1995, by Menes Records. This G-Funk-inspired album showcases L.A. Nash’s unique style and talent as he makes his mark on the hip-hop scene. With a standout feature from the legendary Teena Marie, this album offers a solid mix of tracks for fans of ’90s hip-hop and G-Funk.
The album opens with “Westside Fool,” setting the stage for L.A. Nash’s distinctive sound. Tracks like “Next Block” and “Car Bust A U” showcase the rapper’s storytelling abilities and his affinity for G-Funk-inspired beats. Interspersed with engaging skits, such as “Scene 1,” “Scene 2,” and “Scene 3,” the album maintains a narrative flow that keeps listeners engaged throughout.
“Baby, Baby” offers a smoother, more laid-back vibe, while “Knock On Wood” and “9 Play” bring the funk back into the mix. “Teena Baby” serves as a fitting prelude to the album’s standout track, “Ain’t A Damn Thing Changed,” which features the iconic Teena Marie, adding a touch of soulful magic to the project.
“Strapped” and “Let Loose” showcase L.A. Nash’s versatility as an artist, while “Intro” and “64 Chevy” give listeners a glimpse into his life and experiences. The album concludes with a series of reflective tracks, including “Can’t Finda Reason,” “For The Homies,” “Mindstate,” “Dead End,” “Where The Road Ends,” and “The Waves.”
Overall, L.A. Nash’s self-titled debut album is an impressive introduction to the rapper’s talent, style, and ability to create a cohesive project that captures the essence of the mid-’90s G-Funk era.
Additional
Quality | MP3-320, FLAC (Lossless) |
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